Several weeks ago, I was at a roundtable discussion on editing poetry translations for literary magazines at which the question of presenting translations along with their originals resulted in such a range of responses I’ve been unable to let the question go. Unsurprisingly, it was harder for the editors of print journals to accommodate two texts, even if they wanted to: both space and funds are at stake. On the other hand, Don Share, editor of Poetry magazine, argued that publishing just the translation honors the translator’s work and grants the translation its independence. Erica Mena of Anomalous Press had a different—and to me, fascinating—approach to managing a translation’s independence: not wanting to encourage “reading across the gutter,” the online journal she edits (which you should absolutely visit) publishes the source text in a pop-up window, not en face. “Reading across the gutter,” as I understand it, refers to the sort of reading in which a person compares original and translation word-for-word and line-by-line, checking for “mistakes”—in other words, the sort of reading an en face presentation could unintentionally promote. [continues...]Read the rest of Aditi Machado's thoughts on publishing en face, at Asymptote Journal online.